Political art
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Showing 151–160 of 411 results
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(Vitaly Komar and Alexander Melamid). Richard B. Woodward. The Perfect Painting. The New York Times Magazine, February 20, 1994. Clipping within magazine covers
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(Vitaly Komar and Alexander Melamid). Rizzoli Bookstores and Abbeville Press invite you to meet “Les Enfants Terribles of Soviet Realism” Komar & Melamid and author Carter Ratcliff. April 29, 1989, Rizzoli Bookstore of SoHo, New York
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(Vitaly Komar and Alexander Melamid). Ronald Feldman Fine Arts Inc., Komar and Melamid, and Danceteria invite you and your guest to a post-opening celebration… January 7, [1984]
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(Vitaly Komar and Alexander Melamid). Searstyle and American Culture. A symposium. Alternative Museum, New York, March 26, [1992]
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(Vitaly Komar and Alexander Melamid). Spark; an international quarterly newspaper generated by the School of Bayonne. Volume 1/#52, March/April/May 1992
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(Vitaly Komar and Alexander Melamid). The Art of Collaboration. A Slide Performance: Vitaly Komar and Alexander Melamid. Yeshiva University Art Museum, New York, January 30, 2003
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(Vitaly Komar and Alexander Melamid). The Kitchen, in association with Maita di Niscemi, David Soldier and Byrd Hoffman Foundation, Inc. present Naked Revolution. Libretto by Maita di Niscemi, music by David Soldier, artistic concept by Komar Vitaly Komar and Alexander Melamid. The Kitchen, New York, no date [1997]
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(Vitaly Komar and Alexander Melamid). The Temple Komar/Melamid. Ronald Feldman Fine Arts, New York. Opening October 5, 1978
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(Vitaly Komar and Alexander Melamid). Unidentified writer. Satirical Soviet Artists, Reunited in Israel, Celebrate in Rare Style. The New York Times. December 21, 1977
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(Vitaly Komar and Alexander Melamid). Vitaly Komar and Alexander Melamid. Wadsworth Atheneum, [Hartford, Connecticut], Late September through November 1978. (Matrix 43).
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